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The installation Shadow of Doubt is the single portrait of many individuals. Mutating video images of men and women of all ages and races are projected onto a portrait painted in oil on canvas, creating hybrid identities in constant transformation. The superimposition of the images is not always perceived as such, and the spectator remains uncertain of the elements that, mutating, make the subject so different. A mix of sexes, ages and races, but also a contamination of moods, techniques and sounds.
The installation is accompanied by a sacred chant by Hildegard Von Bingen, a mystic from the year One thousand, superimposed to the very profane Eighties hit "Touch Me" by Samantha Fox.
